|
|
|
cirilo of constantinople Painting ID:: 65683
|
Francisco de Zurbaran cirilo of constantinople 1631-1640
oil on canvas, 91x32cm
se
|
|
|
|
|
|
|
|
archangel st, gabriel. Painting ID:: 65684
|
Francisco de Zurbaran archangel st, gabriel. 1631-1640
oil on canvas, 146x60cm
se
|
|
|
|
|
|
|
|
st. agatha. Painting ID:: 65685
|
Francisco de Zurbaran st. agatha. 1631-1640
oil on canvas, 130x61cm
se
|
|
|
|
|
|
|
|
the coronation of st.joseph Painting ID:: 65686
|
Francisco de Zurbaran the coronation of st.joseph 1632-1640
oil on canvas, 248x166cm
se
|
|
|
|
|
|
|
|
st, francis Painting ID:: 65691
|
Francisco de Zurbaran st, francis 1631-1640
oil on canvas, 197x106cm
se
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Francisco de Zurbaran
|
1598-1664
Spanish Francisco de Zurbaran Galleries
Spanish baroque painter, active mainly at Llerena, Madrid, and Seville. He worked mostly for ecclesiastical patrons. His early paintings, including Crucifixion (1627; Art Inst., Chicago), St. Michael (Metropolitan Mus.), and St. Francis (City Art Museum, St. Louis), often suggest the austere simplicity of wooden sculpture. The figures, placed close to the picture surface, are strongly modeled in dramatic light against dark backgrounds, indicating the influence of Caravaggio. They were clearly painted as altarpieces or devotional objects. In the 1630s the realistic style seen in his famous Apotheosis of St. Thomas Aquinas (1631; Seville) yields to a more mystical expression in works such as the Adoration of the Shepherds (1638; Grenoble); in this decade he was influenced by Ribera figural types and rapid brushwork. While in Seville, Zurbur??n was clearly influenced by Velazquez. After c.1640 the simple power of Zurbaran work lessened as Murillo influence on his painting increased (e.g., Virgin and Child with St. John, Fine Arts Gall., San Diego, Calif.). There are works by Zurbar??n in the Hispanic Society of America, New York City; the National Gallery, Washington, D.C.; and the Philadelphia Museum of Art.. |
Related Artists::. | Martin Archer Shee | Alexander Coosemans | Francis Holman | |
|